In this most historic episode of FTD, Action Bronson is joined by NYC Mayor Zorhan Mamdani for Iftar. The site for this special meal was Jannat Aden, a Yemeni restaurant in Sheepshead Bay, Brooklyn. After the Mayor breaks his fast with some chai and dates, the gracious staff of this restaurant crushed the table with various grilled fish, lamb Haneeth, Salta, chicken Agda, and many more classic Yemeni dishes. But this episode is more than just Yemeni cuisine with the mayor; it also has a visit to what might be the best Uzbeki restaurant in Brooklyn, Samarkand Nights. Action and his friend entered looking for kebabs and Plov, but left with a newfound love for Uzbek soup and their take on fried potatoes with mushrooms. This episode is jam-packed with flavor
Intro
Yeah, man. So I’m hanging out with this little chicken head, right?
She started telling me about how much money I got
Bitch stop counting my poccets
about this deal and that deal, you know, all up in mine
I ain’t got time
Bitch stop counting my poccets
Verse
I’m a $100 million nigga
with this gin and juice.
Play another eight figures
You can add it up till you get mad enough
Swing, Swing batted up, nigga. I ain’t had enough
I’m on it, doggonit
Death Row Records. Yeah, nigga, I own it
Huh I got grip to get
Cause what you eat don’t make me shit
Bitch stop counting my poccets
Outro
It’s crazy, man.
Why you in mine?
Bitch stop counting my poccets
I mean, we got everything moving now
Death Row games, Death Row pictures, Death Row cannabis
Bitch stop counting my poccets
Yeah, it’s a Death Row takeover
Yeah, yeah
Quit watching mine
Bitch stop counting my poccets
see, because I ain’t got nothing for you
Bitch
Bitch stop counting my poccets
Saturated kicks and bass, clear snares and high hats, layering, raw or weird melodies and samples, crazy delays and espcial situation:
Here is what the BoomBass is bringing to your ears and your Soul.
The BoomBass is simple concept: past, present, future.
The past is the good old boom bap beats vibration.
The present is the love of the Bass Music.
The future is the exploration of the futuristic and the retrofuturistic melodies, samples, layering and the use of dope plug-ins.
Since Beat Trotterz is focused on instrumental music only, the message of the music has to be understandable with the feelings because of no lyrics.
The message is conceptual, travelling through beats, exactly like the previous album “Future Style Saves The Universe”.
This is part of the “Beat Trotting”.
Beat Trotting, this lifestyle created though our blog beattrotterz.com.
This is also a travel through your brain, your emotions, a philosophy and a way to anticipate instrumental and experimental music.
Graffiti artists and painters need their tools to express themselves.
Singers, emcees, rappers need pens and microphones to do the same.
DJs need turntables.
Cooks need their tools and their senses.
Filmakers need inspiration and actors.
So, beatmakers use instruments, samplers, DAW, groove boxes and technology to express themselves, as well as imagination, creativity, music culture and of course, like all the others, skills.
Beat Trotterz are here to innovate and to experiment.
Peace.
Arrangements on “Bilan” and “For Real”, covers and final mastering by Lord Faz